Recipes for Success

Sarah Jackson is one of the most talented weavers and designers I know. I am perpetually in awe of her ability to marry structure, yarn, and color and produce just the right fabric for her purpose. Sarah blazes new territory in her weaving, but she also appreciates the value of having a path to follow. ––Anita


  Sarah Jackson's Squares Within Squares Top
 

Sarah Jackson's Squares Within
Squares Top. The "recipe" can be 
found in the November/December
2012 issue of Handwoven
 

When I decided to resume weaving several years ago after a long hiatus, I wasn't sure I could remember how to dress my loom, much less figure out the specifics of a new project.

So for my first foray back into the world of weaving, I opted for a project from a book I found in the library, Handwoven's Design Collection 20, Weekend Weaving Projects. Wanting to focus strictly on the mechanics of weaving, I chose to use the exact yarn and colors specified and followed the instructions to the letter. The venture took decidedly more time than one weekend, but the result was two lovely tea towels . . . and renewed confidence in my weaving ability.

A year or so later, after joining my local weaving guild, I heard a member scoff, "Real weavers only need more technical information, not recipes for weaving," Well, I have to say, I'm all for recipes (and I'm a real weaver). Following "a recipe" for a weaving project allows one to learn a new technique or experience an unfamiliar fiber, color combination, or weave structure without the concerns of designing from scratch.

Sarah Jackson's Deflected Doubleweave Tote Spacer 15x15 pixels 

Sarah's diversified plain weave

bag from the May/June 2012

Handwoven.
Spacer 15x15 pixels 

 

Case in point: a new weaver in my guild approached me recently to excitedly tell me she had just finished weaving cloth for a project of mine in the November/December 2012 Handwoven. "Squares within Squares Top" is an 8-shaft turned Atwater-Bronson lace project with a complex treadling sequence.

Quite an ambitious project for a beginning weaver, or so I thought! She had tackled it with confidence knowing all the details and information were at hand. Along the way she became familiar with a new weave structure, learned to treadle with both feet simultaneously, wove with Tencel for the first time, and discovered a new wet-finishing technique.

As a designer, I'm thrilled when others are inspired by my work. If their confidence and competence as weavers increases as a result of recreating one of my projects, then the joy of doing what I do is magnified as well. I'm going to write more recipes!

—Sarah H. Jackson

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