Double-Check Your Weaving Opinions
I recently picked up a used weaving book published in 1979, Weaving Techniques for the Multiple-Harness Loom by Pierre Ryall. The book is no longer in print. I agreed with the blurb on the back cover that “Most available weaving books are devoted to American and Scandinavian styles and techniques” and was interested in how weaving might have followed a different path in France. Pierre Ryall was a well-known French weaver in the 1970s, and (according to the back cover) had been weaving for more than 30 years. He was the author of Le Tissage, wrote a column for the French craft magazine L’Atelier, and was the French representative for the Handweavers Guild of America.
I found the book interesting and the writing engaging: “When you get a loom, you get a good friend in the bargain.” Many of the drafts look familiar, but there are some that intrigue me enough to want to weave them in future projects. I did have to stop and reread the following line in the Double Face Weave (doubleweave) chapter: “It’s an interesting technique but quickly becomes tiresome.” I believe Mr. Ryall was working with graph paper, and if he had had access to weaving software, he might have had a different opinion. Check out Jennifer Moore’s Doubleweave book, which is based almost solely on 4-shaft projects, and I think you will agree with me.
It made me think about some of the weaving opinions you hear about today that I believe don’t actually hold up to scrutiny:
- Treadling is the fun part of weaving.
- It’s wrong to warp from the front of the loom.
- Linen is difficult.
- Rigid-heddle weaving isn’t real weaving.
- Plain weave is boring.
- Overshot looks messy.
- 4-shaft looms are limiting.
- Using weaving software is cheating.
If he is still alive today, I believe Pierre Ryall might have a different opinion about doubleweave. I plan on reflecting on some of my own opinions about weaving and then pushing myself to see if they are justified. I urge you to do the same and see where weaving can take you.
Featured Image: Doubleweave projects by Jennifer Moore. Photo credit: George Boe