Roving Reporter: Tips for Knitting Better Sweaters with Handspun Yarn
There’s nothing quite like finally casting on a sweater using handspun yarn. Watching yard after yard filling bobbin after bobbin, we have plenty of time to think about the knitted fabric that will keep us (or our beloveds) cozy. Over the years, I’ve developed an approach that works for me, balancing the quest for consistency with the joy of no-pressure spinning.
Tips for Better Sweaters from Handspun Yarn.
1. Spin it all!
In a previous post, I talked about the sadness of a wonky hem and the fix that helped. This is worthy of repeating, in my opinion: spin all your singles before plying a large project.* When you are finally ready to ply, all the singles can be combined—the first singles and the last singles can be mixed. Rather than spinning identical bobbins (we are human after all), this system means that the goal is a homogenous lot of handspun yarn at the very end.
2. Finish your yarn.
The urge to cast on the moment our yarn is released from the niddy-noddy is strong, but most types of handspun yarns are greatly improved with finishing. There are quite a few types of finishing, but the main idea is that we want the yarn to be in its final state when knitted. My Moonflower Dolman is a cabled yarn spun from Alpaca/Merino combed top that changed after washing. When I choose a knitting needle size and begin working according to the pattern gauge, I don’t want my knit sweater to grow or shrink after washing!
3. Ease it in.
There are many reasons why we might end up with one weird skein—an outlier to the group of yarn. You might have needed to buy a bit more fiber that was a different lot, there might have been one section of painted combed top that was more difficult to draft, or your spinning might have gotten just a bit too fine at the end. It happens. Depending on the sweater, there are different ways to deal with the odd skein if it must be used. Most of the time, I prefer to alternate skeins and work it into the fabric. As is often suggested for handpainted skeins, if you work with two balls of yarn, alternating every row or two rows will spread the differences out, making it less obvious. This is also why I like to spin more than I need for a large project: the odd skein out can become a hat or gift for a friend.
Next up: Finishing and storing handmade knit sweaters.
* This, of course, does not apply when creating a singles yarn, and you cannot mix singles when chain-plying. However, I still find my consistency is improved if I spin all my singles before moving on to the next step in the project, no matter the yarn design.
Featured Image: Knitting along the sunny river in Estes, Colorado. Life is good. Photos by Kate Larson