What’s in It for You: Lapidary Journal Jewelry Artist May/June

The stone with the metallic edge: pyrite-in-agate cabochons courtesy Dikra Gem; photo: Jim Lawson
Let the Interweave Knits Winter 2024 issue transport you to a winter wonderland of cozy knits! This remarkable edition features 14 extraordinary projects to immerse yourself in the uniqueness of specially crafted yarns.

Day-to-evening wear while the goal is to stay in? Yes. The concept is about versatile designs that carry you through different dress requirements. It’s really about the occasion, and today has more to do with the time than the place. Finding the right look for a teleconference from home can be challenging. You want to look professional, yet casual enough not to appear jarring against that bed or toy chest in the corner. And the longer we stay put, the nicer it’ll be to dress up for dinner now and then, even if you dine at your own kitchen table.

ABOVE: The stone with the metallic edge: pyrite-in-agate cabochons courtesy Dikra Gem; photo: Jim Lawson

Flashy with a chunky texture, always-right pyrite-in-agate adds points of interest to jewelry seen directly from six feet away or transmitted over the Internet. This down-to-earth stone with a touch of glam is also durable, uncommon but not hard to find, and reasonably priced. All of which helped make it our choice for Smokin’ Stones in the just-out May/June issue of Lapidary Journal Jewelry Artist.

What else is in the new issue? Here are some highlights, starting with what’s on trend.

Dots Are Hot

Dotted jewelry by Elizabeth Garvin, Pascal LaCroix, and Merry-Lee Rae as seen in Trends, Lapidary Journal Jewelry Artist May/June 2020; photos courtesy of the artists
Dotted jewelry by Elizabeth Garvin, Pascal LaCroix, and Merry-Lee Rae as seen in Trends, Lapidary Journal Jewelry Artist May/June 2020; photos courtesy of the artists

Veteran gemstone and fashion reporter Deborah Yonick reports that dots are the motif of the moment, and top designers are on them. Or more accurately, dots are on their jewelry. Used both sparingly and in profusion, little rounds of stone, metal, enamel, and more are all over the place.

Dots in Dots in Dots

Nina Raizel Hartman’s earring project Ripples, featuring pyrite-in-agate cabs, appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Nina Raizel Hartman’s earring project Ripples, featuring pyrite-in-agate cabs, appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

Besides being work-, play-, and hangout-appropriate, pyrite-in-agate is also a bit dotty, so to speak. In these earrings, each naturally dotted cab serves as a single dotted dot inside a single ring or open dot of silver.

Metal Dot Inlay

Profiled artist Momoko Okada’s project Essence of Japan appears with her feature story in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Profiled artist Momoko Okada’s project Essence of Japan appears with her feature story in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

The traditional Japanese metalsmithing technique used in this pendant involves laying tiny metal dots into a metal surface. Often used to create intricate patterns on larger hollowware pieces, metal dot inlay can also be used more informally. This patinated copper heart pendant with fine silver dots is easygoing and stylish.

Torch Fired Enamels’ Silver Lining

Kieu Pham gray’s project Radiant Silver Enamel appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Kieu Pham gray’s project Radiant Silver Enamel appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

Shaped like funnels that draw your eye in, these pendants are designed to show off the richness of transparent enamels when applied to fine silver. The colors line the insides of the partial cones, but you wouldn’t be able to see those lustrous shades without at least one open end. You could say those openings are dots, too, outlined by the silver edges.

Filigree with a What of Blue?

Peggy Haupt’s Delicate Thrill project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Peggy Haupt’s Delicate Thrill project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

Is a small round cabochon a dot? Sure it is, but like the enameled earrings above, the point here really is to learn a technique. You’ll finish a pair of charming earrings you can wear while learning to create your own silver filigree.

It’s Enchanting

In Lapidary Journal Jewelry Artist May/June 2020, Jim Landon introduces us to Ellensburg Blue agate and the Carlson family who’ve been mining, cutting, setting, and selling it for generations. Agate courtesy Carlson Brothers Jewelry; photo: Jim Lawson
In Lapidary Journal Jewelry Artist May/June 2020, Jim Landon introduces us to Ellensburg Blue agate and the Carlson family who’ve been mining, cutting, setting, and selling it for generations. Agate courtesy Carlson Brothers Jewelry; photo: Jim Lawson

The shifting light and medium tones of the best blue chalcedonies mingle to create a color and texture that remind me of peering into the sky as dusk falls. It’s pretty, romantic, and naturally calming. But don’t get the wrong impression: like any quartz gem, this one is also plenty tough enough to stand up to jewelry wear.

She’s Twisted . . . in a Good Way

Betsy Lehndorff’s Vintage Swan project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Betsy Lehndorff’s Vintage Swan project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

After she’d succeeded at setting a vintage button by using twist wire she’d twisted herself, Betsy Lehndorff continued to explore her newfound skill.

Betsy Lehndorff’s Do the Twist cuff demo’s appear in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Betsy Lehndorff’s Do the Twist cuff demos appear in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

The result? A second demo showing how to make cuffs in a great assortment of wire styles. They look great stacked, too.

She’s Sharp

Lexi Erickson’s Go Fly a Kite project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson
Lexi Erickson’s Go Fly a Kite project appears in Lapidary Journal Jewelry Artist May/June 2020; photo: Jim Lawson

Of course she’s sharp, but in this case Lexi Erickson is talking about bezel setting a kite-shaped stone with those challengingly sharp corners. The cab is not only dramatically cut: its abstract pattern vividly shows off the blue opal in this petrified wood pendant.

A Royal Way to Unwind

Featured in “To Copy the Crown,” Lapidary Journal Jewelry Artist May/June 2020, Teresa Tomas shows off a display of her crown replicas; photo courtesy Teresa Tomas
Featured in “To Copy the Crown,” Lapidary Journal Jewelry Artist May/June 2020, Teresa Tomas shows off a display of her crown replicas; photo courtesy Teresa Tomas

Ready to relax and just have some fun now? “Costuming The Crown” is Cathleen McCarthy’s walk-through of an exhibit by the same name that showcased clothing and jewelry from the Netflix series, The Crown. If you missed the exhibit, now closed, here’s your chance to get up close and personal with some of the sparkliest stuff around. Paired with that story is “To Copy the Crown,” Cathleen’s feature about Juliette Designs, a U.K. firm specializing in replicating royal jewels for stage, screen, and exhibition — and maker of the pieces used on set in The Crown.

And by the way, today Earth Day celebrates its 50th anniversary. If you haven’t seen it already, check out Lapidary Journal Jewelry Artist March/April 2020, which includes earth-related features about jewelry design, maintaining an eco-friendly studio, field collecting minerals, and small-scale commercial mining — plus a pendant project depicting the land, the sea, and the clouds of planet Earth.

Merle White is Editor-in-Chief of Lapidary Journal Jewelry Artist.

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