Thrifty Metal Clay: Make a Hollow Textured Metal Clay Bead Using Metal Clay Slip

I was thrilled when I first discovered that dried metal clay could be reconstituted into metal clay paste or slip, especially since I'd just found a whole, brand new, but opened and dried-up package of silver metal clay in my studio. Here's a lovely project from our friends at Metal Clay Artist Magazine that allows you to be thrifty and make the most of your metal clay leftovers as slip. The application of slip on clay and the texturing involved when building it give the finished piece the look of solid modeled clay–without the expense and weight that would involve. Wonderful! Hope you enjoy it.

Textured Metal Clay Bead

by Joy Funnell, Managing Editor of Metal Clay Artist Magazine


metal clay hollow bead pendant by Joy Funnell

Photos by Joy Funnell.

Fall in love with this simple project for a hollow bead that only looks like it is made from a lot of metal clay!


silver metal clay
silver metal clay paste or slip
cork clay or wood clay
paint brush
cocktail stick or straw
hot plate
straw or hole cutter
other metal clay rolling, cutting, and shaping tools of your choice
hairdryer (optional)

Tips, before you begin:

  • This project is good for using up paste, which is made from scrap pieces and filings, as you want a textured surface. So it does not matter if it has any small lumps in it.
  • Adding the paste with thick "splodges" in places will increase the texture.
  • When using paste over cork clay, it will take longer to dry than normal, so make sure you dry it well before firing.
  • If you want to cut several shapes out all at once when you roll out the clay, use a fresh wet baby wipe to cover the shapes and keep them from drying out while you work.
  • If your holes are wider than the end of the head pin, use a decorative bead on each pin for a better fit.



1.       Make a shape using cork clay (or wood clay) and put a cocktail stick into it while still wet so the shape is easy to handle. Dry thoroughly. Cork clay is best left to dry naturally for at least 48 hours. For this project, I made a heart shape.

2.       Paint on the first coat of silver paste thickly, making sure you leave a hole at the top and bottom of the bead. Dry. If you use a hairdryer for about 5 minutes and then finish drying over a hot plate, you can get a reticulated effect on the surface as the top skin dries faster than the paste underneath. Try varying the time using the hairdryer to see what different effects you can get.

3.       Repeat for four or five thick coats until you have at least 1mm thickness and dry thoroughly. Note: You can make metal clay paste by adding your unfired filings and dried bits to a small container, adding a few drops of water, and mixing. Add more water until the paste is the consistency that you like. Sometimes large dried chunks of metal clay need to soak to break down. (Editor's tip: You can also grind down large dried chunks using a mortar and pestle before adding to the container.)

4.       Roll out silver metal clay to .75mm thick (3 cards thick). Cut two shapes to go over the bead holes and another shape for decoration if you want.

5.       Using a straw or a hole cutter, cut a smaller hole out of the center of the bead hole covers. You could texture the shapes when you roll the clay out or use something to add texture afterwards.

6.        Add the first bead cover on the surface of the bead where you are going to place the circle using a little water and also some syringe clay if desired. Then remove the cocktail stick and repeat on the other side of the bead for the second one. I used a ball-headed burnisher on the circles while still wet to decorate them.

7.       Add the decorative shape if desired. I used a cocktail stick to add lines to the heart decoration and made a small depression with the ball-headed burnisher where I want to add a stone later.

8.       Dry thoroughly.

9.       Optional: To set a fireable stone (I used a 3mm lab-grown ruby), extrude a small amount of syringe clay into the recess made earlier and gently press the stone into it, allowing the clay to rise a bit around the stone and create a bezel. Dry.

10.   Refine your piece. Make sure you have no sharp edges anywhere and that you are completely happy with it before firing.


Alternative design: Make a ball to hang directly on a chain, like a slide bead.

11.   Fire according to the manufacturer's instructions of your particular clay (the cork or wood clay inside will burn away); then polish. Add patina using liver of sulphur to bring up the texture on the surface and then polish the bead back to a nice shine, so it is just dark in the recesses.

12.   Ball up a length of round fine silver wire using a torch (I used 1.5mm diameter wire) to make a headpin (or use a commercial headpin) and make a loop to serve as your pendant's bail.

13.   Add a chain and sit back and admire your work.

Thanks to Joy Funnell for this pretty, versatile, thrifty project!

For more sculptural metal clay jewelry-making tutorials and information, check out Kate McKinnon's book Sculptural Metal Clay. It's thrifty too because the ebook is on sale now in our digital sale, 30% off!







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