The Shoulders of Goldsmiths

Goldsmith shop, Florence; photo: Ingo Jakubke/Pixaby
Let the Interweave Knits Winter 2024 issue transport you to a winter wonderland of cozy knits! This remarkable edition features 14 extraordinary projects to immerse yourself in the uniqueness of specially crafted yarns.

Google stands on the shoulders of a goldsmith. So do we all.

ABOVE: Goldsmith shop, Florence; photo: Ingo Jakubke/Pixaby

One morning this spring, I went to google something. Noticing the day’s doodle featured Gutenberg, I uncharacteristically clicked on the link. “Known for the invention of the movable-type printing press,” Wikipedia told me what I already knew, Johannes Gutenberg was “a German goldsmith, inventor, printer, and publisher . . .” Wait, Gutenberg was a goldsmith?

gold twist ring goldsmiths
Nick Grant Barnes’s Twist Ring, 18K gold, won 1st Place in the 2018 Lewton-Brain Foldform Competition. The 2021 competition deadline is October 10; more in Facets, Lapidary Journal Jewelry Artist Summer 2021. Photo: David Terao

The Information Age we live in now, with all the internet’s power for enabling mass communication, innovation, and disruption, is a direct descendant of the revolution set off by the power of Gutenberg’s 15th-century press. Once information could be shared widely and quickly, it was. Such historical shake-ups as the Reformation, the Renaissance, and all the idea-based eras and developments since are in part the result. The global reach and lightning speed of circulation today are mere matters of degree.

Ampersand typeface block
Ampersand typeface photo: Stux/Pixabay

Metalwork Matters

Google’s is more than a general tribute. It’s a fitting acknowledgement of the search engine giant’s own debt to the past. It’s also a tip of the hat to metalsmiths and related technology developers everywhere, because metalwork played an essential part in this goldsmith’s invention — obvious once I’d read on.

Lead typefaces blocks
Lead typefaces photo: Lucio Alfonsi/Pixabay

“Gutenberg’s method for making type is traditionally considered to have included a type metal alloy and a hand mould for casting type. The alloy was a mixture of lead, tin, and antimony that melted at a relatively low temperature for faster and more economical casting, cast well, and created a durable type.”

golden coins
Minting gold or other coins involves striking engraved or punched dies; photo: aleksandra85foto/pixabay

Although his goldsmithing appears to have been related to minting coins, Gutenberg also appears to have been at least familiar with jewelry making, specifically lapidary work. “There is evidence that he was instructing a wealthy tradesman on polishing gems, but where he had acquired this knowledge is unknown.”

John Dyer gemstone logo
Cathleen McCarthy describes how lapidary artist John Dyer created and uses his logo in Net Profits; photo courtesy John Dyer

A lot about Gutenberg is unknown, with many details of his breakthrough uncertain, including who else contributed to it. It was not simply his printing press that changed the world, but that of those on whose shoulders Gutenberg stood, and those who stood on his. Or as the great Isaac Newton wrote in the 17th century: “If I have seen further, it is by standing on the shoulders of giants.”

Classics to State of the Art

jeweler's files on jewelry workbench goldsmiths
“They’re not the latest shiny new thing,” writes Noël Yovovich in File Under Essential. “In fact, they’re largely unchanged since ancient times. Filing is, however, one of the absolute most basic metalsmithing skills, so it’s worth your time to get good at it.” Then she explains how you can. Photo of some of her go-to files courtesy Noël Yovovich.

Some of the tools, supplies, and equipment in the special Lapidary Journal Jewelry Artist Summer 2021 Tool Issue are classics, little changed in centuries. Some are the latest incarnations of recent developments, likely to be improved upon again. More tools and refinements are in the making. We may love our tactile hand tools or the physicality of print. We may embrace CAD/CAM or wikis. But tools and techniques are just that. The essence of a work is how the artist uses any tool to make her or his own mark. Icon of printing he certainly is, yet Gutenberg is even more. Fundamentally, he is a giant of innovation, and it’s an honor to cast our lots with the likes of him.

pulse arc welder set up at jeweler's bench for goldsmiths
It’s a long way from the charcoal braziers of antiquity to joining precious metals with a welder. Recently, John F. Heusler set aside his soldering setup to try out his new pulse arc welder — and fabricated two turquoise rings without soldering a single join. He describes the adventures in Welded Bliss and Welded Only in Lapidary Journal Jewelry Artist Summer 2021. Photo courtesy John F. Heusler.

Goldsmiths and More from Lapidary Journal Jewelry Artist Summer 2021

turquoise and silver ring
We asked Jeff Fulkerson to pick a favorite tool, explain why it’s a favorite, and demo its use with a project. In The Clamp That’s Champ, he demos making this turquoise and silver ring with the help of the humble ring clamp. Photo: Jim Lawson
silver cuff with tree cut out and gemstone set
Filing is particularly important, says Noël Yovovich, in making this Piercing Good Looks silver cuff with Oregon sunstone cabochon. Good filing gives you the clean and crisp design of the pierced work. It also helps you fit the back of the bezel setting perfectly with the curve of the cuff’s top. Photo: Jim Lawson
jewelry pliers goldsmith
Helen Driggs revels in her growing pliers collection in Cool Tools & Hip Tips. The steel jig for Swanstrom link-forming pliers, she says, is “fantastic for repeatedly creating small to large links of any shape using soldered rings fabricated from any wire gauge.” Photo: Jim Lawson
colorful gemstone brooch pin by goldsmiths Paula Crevoshay
You can make a statement with lettered stamps, but Paula Crevoshay prefers to speak with images. Her Anemone is one of many fauna forms that honor Nature. Deborah Yonick focuses on pins as statement jewelry in Trends. Photo: courtesy Paula Crevoshay

Merle White is Editor-in-Chief of Lapidary Journal Jewelry Artist. This post is adapted from her column, “The Shoulders of Goldsmiths,” in the Summer 2021 issue.

Join the Conversation!

Save patterns, share updates, and connect with your community.

Monthly Membership

$9.99


Join Now

 

Best Value

Annual Membership

$49.99


Join Now

 

  • FREE access to over 8,000 projects and patterns
  • Connect and create with a community of crafters just like you
  • Access digital issues of Beadwork, Lapidary Journal Jewelry Artist, Interweave Crochet, and Interweave Knits

View All Benefits

*Membership cannot be purchased with Gift Cards.