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The PieceWork Pincushion Contest

We are pleased to announce the winners of the PieceWork Pincushion Contest. The contest was announced in the September/October 1999 issue of PieceWork with a submission deadline of February 1, 2000. The contest was a treat for all of us here at the office. Each entry's arrival was like a little holiday with a package to be unwrapped and its contents examined with delight. Each pincushion was judged on the originality of the piece, its creative connection to needlework history, mastery of the chosen technique, and the accuracy of the written instructions. The judges included Linda Ligon, creative director and founder of Interweave; Marilyn Murphy, editorial director of Interweave; Jeane Hutchins, editor of PieceWork; and Jake Rexus, assistant editor of PieceWork.

The first-, second-, and third-place pincushions are not only beautiful but embody excellent technique and fulfill our requirement of being historically based. Eight other entries received honorable mention. The three techniques used in the winning entries—embroidery, bead crochet, and tatting—exemplify the extreme diversity of the entries. Other techniques represented include Russian punch needle, knitting, ribbon embroidery, crochet, quilting, basketry, and ruching.

In 2000, a traveling exhibition of the forty-five PieceWork pincushions was displayed at several Creative Arts and Textiles shows (CATS) around the United States.

Instructions for making the first-, second-, and third-place winners appear in the July/August 2000 issue of PieceWork magazine.

All photographs by Mary Staley Pridgen.


First Place

Pincushion in Time
by Jeri Amundson of Maplewood, Minnesota. Technique: Embroidery.

Second Place

Plum Tomato
by Bonnie Brooks of Richardson, Texas. Technique: Bead crocheting.

Third Place

Tatted Pincushion
by Kathryn Zaiss of Parma, Idaho. Technique: Tatting.

Honorable Mention

A Faithful Heart
by Kathleen Rindal Brooks of River Forest, Illinois. Technique: Cross-stitch and quilting.

Cathedral Reflection
by Sandy Caswell of Hannibal, Missouri. Technique: Cross-stitch and tatting.

Bisquette
by Anna-Lisa Tokula Kanick of University Place, Washington. Technique: Knitting.

Cathedral Window
by Cyndy Klein of Rancho Santa Margarita, California. Technique: Hardanger and quilting.

Whatsoever Thy Hand
by Sonja Pharr Poor of Powder Springs, Georgia. Technique: Cross-stitch.

Be Ruched My Beading Heart
by Karen Kraus of Portland, Oregon. Technique: Ruching and beading.

Great Aunt Honey's Pincushion
by Mary Riley of Occidental, California. Technique: Cross-stitch.

Block Crazy Quilt
by Lori Strablow of Palmyra, New York. Technique: Crazy quilting.


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