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PieceWork Back IssueJanuary/February 2000
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Sixteenth- and Seventeenth-Century Textiles from Hardwick Hall Santina M. Levey At the end of the sixteenth century, Bess, countess of Shrewsbury, dedicated much of her time to the construction and furnishing of Hardwick Hall in Derbyshire, England. The story of this remarkable woman and her textile collection was adapted from <I>Elizabethan Treasures, The Hardwick Hall Textiles,<P> published by the National Trust.
Plain-Sewing Samplers from 1880 through 1920 Deborah Dwyer Often an odd combination of sleeves, pockets, and patches, plain-sewing samplers were used to display a young woman's practical hand-sewing skills.
Mariner's Compass Quilt Motif Linda Carlson The Mariner's Compass is a traditional quilt motif dating back at least to 1726. Linda Carlson designed and made a quilt in the manner of traditional early-nineteenth-century Mariners Compass quilts.
Expanding Horizons: Map and Globe Embroideries Susan Goodier-Kalaf In the late 1700s and early 1800s, stitching maps and globes educated young girls about their world and provided valuable needlework training.
Redesigning the Past John R. Burbidge Designers used dolls and mannequins to present scale models of their creations to patrons as early as the sixteenth century. Twentieth-century revivals of the tradition bring new life to historic fashions.
Victorian Hair Receivers Gwen Blakley Kinsler Once an essential accessory on the Victorian dressing table, hair receivers disappeared as the popularity of hairwork faded in the early twentieth century.
A Button Cover to Embroider Practice a sampling of embroidery stitches while making
this lovely button cover adapted by Susan Strawn Bailey from a floral-patterned
plain-sewing sampler.
In the March/April 2000 PieceWork A Prairie Shawl to Knit Homesteading Big Owl Cross-Stitch a Family Sampler Amanda Goes West Family History in a Hooked Wool Stair Runner |
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